Christchurch Gilbert and Sullivan Society

What The Papers Said


Daily Echo (Bournemouth), 2003. Linda Kirkman

Ruddigore

  RUDDIGORE may not be the most popular or well-known of the Savoy Operas but it is well worth an airing every now and then, and this production had a slight tongue-in-cheek quality about it that made it very enjoyable to watch. The characterisations were superb, from Robert Eshelby’s thigh-slapping sailor Richard Dauntless, Zachary Higgins’ ‘diffident, modest and shy’ Robin Oakapple, John Love’s melodramatic Sir Despard and Mark Ward’s imperious Sir Roderick to Ruth Hastings’ too-sweet-to-be-true Rose Maybud, Sue Higgins’ untamed Mad Margaret and Christine Eastwood’s eminently sensible Dame Hannah. And there were strong performances too from Brian Morgan (Old Adam), Judy Broom (Zorah) and Harriet Bellotte (Ruth).   Nigel Finch’s fine, in- depth interpretation had some lovely touches, particularly in the libretto, and with a most effective ending to the first act finale. Lighting effects were excellent and singing from both principals and chorus was strong too. And if the ‘ Professional Bridesmaids’ were, with one exception, perhaps a little old in the tooth – well, given the previous dearth of weddings in Rederring one could understand why they were loathe to hang up their dresses. The society is celebrating its 20th anniversary this year. Long may it continue.  

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